{"id":2617,"date":"2024-07-11T14:40:29","date_gmt":"2024-07-11T14:40:29","guid":{"rendered":"https:\/\/www.kavacfilm.com\/la-vita-accanto\/"},"modified":"2025-11-13T16:38:49","modified_gmt":"2025-11-13T16:38:49","slug":"the-life-apart","status":"publish","type":"page","link":"https:\/\/www.kavacfilm.com\/en\/the-life-apart\/","title":{"rendered":"The Life Apart"},"content":{"rendered":"

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a film by
MARCO TULLIO GIORDANA<\/strong><\/p>\n

produced by
SIMONE GATTONI, MARCO BELLOCCHIO, BEPPE CASCHETTO, BRUNO BENETTI<\/strong><\/p>\n

a production
KAVAC FILM, IBC MOVIE, ONE ART <\/strong>with RAI CINEMA<\/strong><\/p>\n

Italian distribution
01 DISTRIBUTION<\/strong><\/p>\n

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The Life Apart (\u2018La vita accanto\u2019) is inspired by the novel by Mariapia Veladiano, winner of the Calvino Prize, the story of a family in which unmentionable secrets and guilty feelings are intertwined with great talent and a desire for redemption.<\/p>\n

The 1980s, an Italian art city, a rich family. Rebecca is born with a red stain that disfigures her face and throws the family into despair. Ancient poisons come to the surface, only thanks to her musical talent will she be able to overcome them.<\/p>\n

\u2018Mariapia Veladiano’s novel is a tale of how discomfort can break into the life of a family, disrupting it forever. In the book, this discomfort is represented by the monstrosity of an immediately rejected newborn child. In the film, this \u2018monstrosity\u2019 is represented by a purple stain that covers half of the child’s face. Otherwise, little Rebecca is beautiful and, we discover in time, extraordinarily gifted for music. But the angioma that disfigures her makes it difficult for her to relate to others, especially her mother who has never accepted her and, out of shame, has always kept her segregated at home. The central theme is therefore the body, the acceptance of which is the basis of all identity, and how its possible imperfections (how real? how imaginary? how induced by the gaze of others?) can lead to violation in order to modify it and accept it according to the canons of an illusion\u2019.<\/em> Marco Tullio Giordana<\/strong><\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.kavacfilm.com\/wp-content\/uploads\/2024\/07\/locarno-lavitaaccanto.png” alt=”Locarno Film Festival 2024 official selection” title_text=”locarno-lavitaaccanto” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” disabled_on=”off|off|off” _builder_version=”4.23.1″ vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row module_class=” et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth 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CREW<\/strong><\/h4>\n

 <\/p>\n

Directed by Marco Tullio Giordana<\/strong><\/p>\n

Screenplay Marco Bellocchio, Gloria Malatesta, Marco Tullio Giordana<\/strong><\/p>\n

A production Kavac Film, IBC Movie, One Art<\/strong>
With Rai Cinema<\/strong><\/p>\n

Executive producer Patrick Carrarin<\/strong><\/p>\n

Produced by Simone Gattoni, Marco Bellocchio, Beppe Caschetto, Bruno Benetti<\/strong><\/p>\n

With the support of Veneto Film Commission<\/strong><\/p>\n

Under the patronage of Citt\u00e0 e Provincia di Vicenza<\/strong><\/p>\n

Editing Francesca Calvelli, Claudio Misantoni<\/strong><\/p>\n

Sound Fulgenzio Ceccon<\/strong><\/p>\n

Music Dario Marianelli<\/strong><\/p>\n

Scenography Luca Gobbi<\/strong><\/p>\n

Furniture Andrea Di Palma<\/strong><\/p>\n

Costumes Gemma Mascagni<\/strong><\/p>\n

Make-up Enrico Iacopini<\/strong><\/p>\n

Hairdressing Alberta Giuliani<\/strong><\/p>\n

Italian Distribution 01 distribution<\/strong><\/p>\n

Press office Studio PUNTOeVIRGOLA<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”|–et_global_body_font_weight|||||||” text_text_color=”#ffffff” text_font_size=”16px” header_4_text_color=”#ffffff” header_4_font_size=”20px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” use_border_color=”off” global_colors_info=”{}”]<\/p>\n

CAST<\/strong><\/h4>\n

 <\/p>\n

Sonia Bergamasco<\/strong><\/p>\n

Paolo Pierobon<\/strong><\/p>\n

Valentina Bell\u00e8<\/strong><\/p>\n

Beatrice Barison<\/strong><\/p>\n

Sara Ciocca<\/strong><\/p>\n

Michela Cescon<\/strong><\/p>\n

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\u2014TRAILER\u2014<\/h3>\n

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TRAILER<\/h3>\n

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a film byMARCO TULLIO GIORDANA produced bySIMONE GATTONI, MARCO BELLOCCHIO, BEPPE CASCHETTO, BRUNO BENETTI a productionKAVAC FILM, IBC MOVIE, ONE ART with RAI CINEMA Italian distribution01 DISTRIBUTIONThe Life Apart (\u2018La vita accanto\u2019) is inspired by the novel by Mariapia Veladiano, winner of the Calvino Prize, the story of a family in which unmentionable secrets and […]<\/p>\n","protected":false},"author":2,"featured_media":2535,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2617","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nThe Life Apart — Kavac Film<\/title>\n<meta name=\"description\" content=\"The Life Apart (La Vita Accanto), by Marco Tullio Giordana, out of competition Locarno Film Festival. 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