{"id":2611,"date":"2024-04-17T08:28:46","date_gmt":"2024-04-17T08:28:46","guid":{"rendered":"https:\/\/www.kavacfilm.com\/samad\/"},"modified":"2025-11-13T16:37:47","modified_gmt":"2025-11-13T16:37:47","slug":"samad","status":"publish","type":"page","link":"https:\/\/www.kavacfilm.com\/en\/samad\/","title":{"rendered":"Samad"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; module_id=&#8221;MPA-top&#8221; _builder_version=&#8221;4.16&#8243; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header title=&#8221;SAMAD&#8221; text_orientation=&#8221;center&#8221; header_fullscreen=&#8221;on&#8221; header_scroll_down=&#8221;on&#8221; scroll_down_icon=&#8221;%%1%%&#8221; 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header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; 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header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; use_border_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Samad (Mehdi Meskar) has done it. He paid his bill with justice and now has a job, a new life. Father Agostino (Roberto Citran), his friend and mentor, invites him to prison so that he can inspire his comrades, as an example of reintegration, so that he can tell them about his new life as a free man. But it&#8217;s the wrong day: a riot explodes the anger and resentment of the inmates, who decide to barricade themselves in the prison library. Samad will have to choose who to be: Muslim or Christian, accomplice or hostage.<\/p>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#ffffff&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.23.1&#8243; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; module_alignment=&#8221;left&#8221; height=&#8221;20px&#8221; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; text_font=&#8221;|&#8211;et_global_body_font_weight|||||||&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.5em&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; background_layout=&#8221;dark&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; z_index_tablet=&#8221;500&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; use_border_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.antigone.it\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2455 alignnone size-full\" src=\"https:\/\/www.kavacfilm.com\/wp-content\/uploads\/2024\/04\/Antigone.png\" alt=\"Logo Antigone\" width=\"169\" height=\"33\" \/><\/a><\/p>\n<p>The film is supported by <strong>Antigone<\/strong>, the association that fights for rights and guarantees in the Italian penal system:<\/p>\n<p><em>\u2018In Samad, the prison is not only one of the scenarios of the film, but is the container in which to place the conflicts that grip the protagonist, represented in a place where time is suspended and the balance always difficult. A prison described through the eyes of a filmmaker who has seen and known the prison world and presents a realistic image of it full of its contradictions. The protagonist presents us with an example of how difficult it is in Italy today to lose the stigma of those who have a past of imprisonment behind them. Talking about prison and the people in it is always essential. In recent years, the cinema has been able, even more than the traditional media, to bring the prison system and its problems out of the cone of shadow that all too often hangs over them. The film Samad is an ally of Antigone in the attempt to create social awareness on a subject that is always at risk of being forgotten&#8217;.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_class=&#8221; et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth&#8221; _builder_version=&#8221;4.16&#8243; width=&#8221;89%&#8221; width_tablet=&#8221;80%&#8221; 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global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><strong>CREW<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>Directed by <strong>Marco Santarelli<\/strong><\/p>\n<p>Screenplay <strong>Marco Santarelli, Giancarlo Balmas<\/strong> con <strong>Mariano Di Nardo<\/strong><\/p>\n<p>A production <strong>The Film Club,<\/strong> <strong>Kavac Film<\/strong><br \/>With <strong>Rai Cinema<\/strong><\/p>\n<p>Produced by <strong>Simone Gattoni <\/strong>e<strong> Patrick Carrarin<\/strong><\/p>\n<p>Co-produced by <strong>Carlo Macchitella, Pier Giorgio Bellocchio\u00a0\u00a0<\/strong><\/p>\n<p>Film made with the suport of <strong>Regione Emilia-Romagna<\/strong> and<strong>\u00a0Regione Lazio<\/strong><\/p>\n<p>Under the patronage of <strong>Associazione Antigone\u00a0<\/strong><\/p>\n<p>The film benefits from the selective contribution of <strong>MIC Ministero della Cultura<\/strong><\/p>\n<p>General organizer <strong>Carlo Traini<\/strong><\/p>\n<p>Director of photography <strong>Andrea Locatelli<\/strong><\/p>\n<p>Scenography <strong>Luca Servino<\/strong><\/p>\n<p>Costumes <strong>Fabio Cicolani, Silvia Cerpolini<\/strong><\/p>\n<p>Editing <strong>Edoardo Morabito<\/strong><\/p>\n<p>Original music <strong>Matteo Ruperto<\/strong><\/p>\n<p>Sound <strong>Riccardo Milano<\/strong><\/p>\n<p>Distribution <strong>Kavac Film<\/strong><br \/>In collaboration with<strong>\u00a0Kio Film<\/strong><\/p>\n<p>Press Office\u00a0 <a href=\"https:\/\/puntoevirgolamediafarm.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Studio PUNTOeVIRGOLA<\/strong><\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; text_font=&#8221;|&#8211;et_global_body_font_weight|||||||&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;16px&#8221; link_font=&#8221;||||on||||&#8221; header_4_text_color=&#8221;#ffffff&#8221; header_4_font_size=&#8221;20px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; z_index_tablet=&#8221;500&#8243; use_border_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><strong>CAST<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p><strong>Mehdi Meskar<\/strong><\/p>\n<p><strong>Roberto Citran<\/strong><\/p>\n<p><strong>Marilena Anniballi<\/strong><\/p>\n<p><strong> Luciano Miele<\/strong><\/p>\n<p>for the first time on screen<\/p>\n<p><strong>Abdessamad Bannaq<\/strong><\/p>\n<p><strong>Youssef el Gahda<\/strong><\/p>\n<p><strong>Issam Laou\u00a0 <\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_class=&#8221; 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He paid his bill with justice and now has a job, a new life. 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