{"id":1481,"date":"2021-07-04T18:20:53","date_gmt":"2021-07-04T18:20:53","guid":{"rendered":"https:\/\/www.kavacfilm.com\/?page_id=1481"},"modified":"2025-11-13T17:02:01","modified_gmt":"2025-11-13T17:02:01","slug":"marx-can-wait","status":"publish","type":"page","link":"https:\/\/www.kavacfilm.com\/en\/marx-can-wait\/","title":{"rendered":"Marx can wait"},"content":{"rendered":"

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background_size=”initial” background_position=”top_left” background_repeat=”repeat” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” 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a film by
MARCO BELLOCCHIO<\/strong><\/p>\n

produced by
BEPPE CASCHETTO, SIMONE GATTONI<\/strong><\/p>\n

a production
KAVAC FILM, IBC MOVIE, TENDERSTORIES<\/strong>
with RAI CINEMA<\/strong><\/p>\n

Distribution
01 DISTRIBUTION<\/strong><\/p>\n

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Camillo dies in 1968. Almost fifty years later, Marco brings his whole family together for a lunch. With his family, he reflects on Camillo, his twin brother who died at the age of 29. The brothers. The grandchildren. The sister of the girlfriend at that time. A psychiatrist. A priest. Talking to each of them, evoking those years and those events, Marco reconstructs the pieces of the past, finally giving form to a ghost he has been dealing with all his life. Through his family, Marco Bellocchio brings his brother’s story back to life, without filters or modesty, almost like an investigation, reconstructing a historical era and weaving the red line of so many of his films.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.kavacfilm.com\/wp-content\/uploads\/2021\/07\/Palmadonore-Cannes.png” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ text_text_color=”#ffffff” text_font_size=”16px” text_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ background_layout=”dark” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” use_border_color=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Honorary Palme d’Or 2021 to Marco Bellocchio<\/b><\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_class=” et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth” _builder_version=”4.16″ width=”89%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” z_index_tablet=”500″ make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#ffffff” divider_weight=”3px” _builder_version=”4.16″ vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ module_alignment=”left” height=”20px” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ module_class=” et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth” _builder_version=”4.16″ width=”89%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” z_index_tablet=”500″ make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_text_color=”#ffffff” text_font_size=”16px” link_font=”||||on||||” header_4_text_color=”#ffffff” header_4_font_size=”20px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” use_border_color=”off” global_colors_info=”{}” text_font=”|–et_global_body_font_weight|||||||” sticky_enabled=”0″]<\/p>\n

CREW<\/strong><\/h4>\n

 <\/p>\n

Directed by Marco Bellocchio<\/strong><\/p>\n

Screenplay Marco Bellocchio<\/strong><\/p>\n

A production Kavac Film, IBC movie, Tenderstories<\/strong>
With Rai Cinema<\/strong><\/p>\n

In collaboration with Fondazione Cineteca Bologna<\/strong>
Regione Lazio Fondo per il Cinema e l\u2019audiovisivo<\/strong><\/p>\n

Produced by Simone Gattoni, Beppe Caschetto<\/strong><\/p>\n

Co-produced by Malcom Pagani, Moreno Zani<\/strong><\/p>\n

Executive producer Michel Merkt, Alessio Lazzareschi<\/strong><\/p>\n

Editor Francesca Calvelli<\/strong><\/p>\n

Photography Michele Cherchi Palmieri, Paolo Ferrari<\/strong><\/p>\n

Music Ezio Bosso<\/strong><\/p>\n

Scenography Andrea Castorina<\/strong><\/p>\n

Costumes Daria Calvelli<\/strong><\/p>\n

Italian distribution 01 Distribution<\/strong><\/p>\n

International sales The Match Factory<\/strong><\/p>\n

Press office PUNTOeVIRGOLA<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”|–et_global_body_font_weight|||||||” text_text_color=”#ffffff” text_font_size=”16px” header_4_text_color=”#ffffff” header_4_font_size=”20px” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” z_index_tablet=”500″ use_border_color=”off” global_colors_info=”{}” link_font=”||||on||||” background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

WITH<\/strong><\/h4>\n

 <\/p>\n

Alberto Bellocchio<\/strong><\/p>\n

Letizia Bellocchio<\/strong><\/p>\n

Marco Bellocchio<\/strong><\/p>\n

Maria Luisa Bellocchio<\/strong><\/p>\n

Piergiorgio Bellocchio<\/strong><\/p>\n

Pia Bareggi<\/strong><\/p>\n

Elena Bellocchio<\/strong><\/p>\n

Pier Giorgio Bellocchio<\/strong><\/p>\n

Francesco Bellocchio<\/strong><\/p>\n

Gianni Schicchi<\/strong><\/p>\n

Giovanna Capra<\/strong><\/p>\n

Padre Virgilio Fantuzzi<\/strong><\/p>\n

Luigi Cancrini<\/strong><\/p>\n

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\u2014 TRAILER \u2014<\/h3>\n

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TRAILER<\/h3>\n

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a film byMARCO BELLOCCHIO produced byBEPPE CASCHETTO, SIMONE GATTONI a productionKAVAC FILM, IBC MOVIE, TENDERSTORIESwith RAI CINEMA Distribution01 DISTRIBUTIONCamillo dies in 1968. Almost fifty years later, Marco brings his whole family together for a lunch. With his family, he reflects on Camillo, his twin brother who died at the age of 29. The brothers. 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